Arsenic
and Old Lace opens in the living room of the Brewster home, inhabited by two
spinster aunts, Abby and Martha Brewster, and their nephew, Teddy. Rev. Dr.
Harper is chatting with Abby about her other nephew, Mortimer, who in love with
the reverends daughter, Elaine. Soon joining the conversation are two
friendly police officers, Brophy and Klein, who have come by (as they often do)
to pick up a box for charity from the kindly Brewster sisters.
Theodore, who is rather crazy but harmless, thinks he is Theodore
Roosevelt and charges up the stairs to retrieve the box. The reverend and the
policemen leave, only to be replaced by Mortimer, who announces to his aunts
that he intends to marry Elaine, whom he is taking to a play that evening.
However, the happy family starts to
unravel when Mortimer lifts the lid to the window seat and discovers a dead
body within. He immediately assumes that Teddy has killed the man. However,
Abby and Martha tell Mortimer that it was they who poisoned the man with their
homemade elderberry wineand that he is the eleventh (or twelfth,
depending on how you count) gentleman they have shared their wine with. The
sisters explain that these are charitable acts: They befriend lonely older
gentlemen who do not have much to live for and then kill them with elderberry
wine laced with arsenic. They continue that Mortimer should not worry because
Teddy is down in the cellar digging what he believes is the Panama Canal, but
is in reality the latest grave. Just then Elaine arrives and an exited and
worried Mortimer tells her they are not going to the theatre after all. After a
brief quarrel, Elaine leaves.
About this time, Mortimer and Teddy's
brother, Jonathan, shows up. Jonathan, a true maniacal criminal, is accompanied
by Dr. Einstein, a plastic surgeon of doubtful character. Dr. Einstein has
changed Jonathan so that he looks like Boris Karloff, the horror film star.
Teddy invites Einstein to join him in the cellar, where he is supposedly
digging the Panama Canal. Einstein quickly returns and confides to Jonathan
that there is a hole large enough to bury Mr. Spenalzo (a man Jonathan recently
killed) after everyone goes to bed. Once the lights are out and everyone is
supposedly asleep, Teddy goes to the window seat to get Mr. Hoskins, and
Jonathan and Einstein go to their car to get Mr. Spenalzo, both planning on
filling the hole in the cellar. Thus begins several hilarious scenes of lights
blinking on and off, of bodies being moved from the window seat to the cellar
to the car outside, and of accusations and threats back and forth.
Because of the commotion at the house, Officer O'Hara stops by to make
sure all is well. When he is convinced that everything is alright, he shifts
topics and corners Mortimer in a discussion of a play he is writing. Just then,
Lieutenant Rooney bursts in and recognizes Jonathan as an escapee from a prison
for the criminally insane. Jonathan tells the officers about the bodies in the
cellar, but they don't believe him and take him off to prison. Einstein gets
away, and Theodore is certified insane and taken to the Happy Dale Sanitarium.
Trying to protect society without sending his aunts to prison, Mortimer
ecstatically agrees when his aunts insist on going to Happy Dale with their
nephew.
The aunts then kindly inform Mortimer that he is actually not a
member of the Brewster family. He was an illegitimate child and thus can marry
Elaine without fear of passing the Brewster insanity on to his children

Click Picture for a video clip of this scene
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Cast
| Dr Harper |
Arthur Allen |
| Aunt Abby |
Angie Chitty |
| Aunt Martha |
Christina Lehec |
| Officer Brophy |
Tom Pickering |
| Officer Klein |
Stuart Durrant |
| Teddy Brewster |
Alex Aucken |
| Elaine Harper |
Kim Still |
| Mortimer Brewster |
Phil Tomlin |
| Mr Gibbs |
David Rhodes |
| Jonathon Brewster |
John Taylor |
| Dr Einstein |
Ian Maclachlan |
| Officer O'Hara |
Michael Moonesinghe |
| Lieutenant Rooney |
Arthur Allen |
| Mr Witherspoon |
Lawre Doyle |
Crew
| Director |
Lawre Doyle |
| Assistant director |
Claire Shenton-Taylor |
| Producer |
Geraint Morris |
| Stage manager |
Pete Gosden |
| Set design |
John Taylor & Sophie Taylor |
| Costumes |
Heather Woodbridge & Jayne Male |
| Props |
Jane Higgins & Sarah Webb |
| Sound & lighting |
Tim Doyle |
| Make up |
Helen Maclachlan |
| Prompt |
Sophie Taylor |
| Programme & tickets |
John Taylor |
| Poster |
Sophie Taylor |
| Box office |
Michael Moonesinghe |
| Publicity |
Angie Chitty |
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